I've always had a bit of a love-hate relationship shoes. Whilst on the one hand (or should I say foot?!) they can be undoubtedly pretty, stylish and glamorous, and give a much-needed boost to my 5 foot 2 inches, but they can also hurt like hell. Which is why the V&A's new shoe exhibition 'Shoes: Pleasure and Pain' is so perfectly named.
On display are hundreds of shoes through the ages, each encapsulating a specific aspect of footwear. There is an area dedicated to shoes inspired by the fairy tale, including the iconic red ballet slippers worn by Moira Shearer in The Red Shoes as well as Lily James's glass heel from the recent Cinderella. Another display showed shoes worn by royalty, from Queen Victoria's pumps to Kate Middleton's nude LK Bennett's.
The exhibition also delved into the more psychological aspect of our relationship with shoes. In a room hidden behind a velvet curtain were a collection of shoes chosen for their connection to desire and fetishism. For hundreds, if not thousands of years, shoes have been worn to reveal and conceal, and like any piece of clothing they say something about the wearer. In the 18th century, a fashion for shoes laced low on the foot was thought scandalous, as it revealed the wearer's coloured stockings beneath. And, of course, who can forget the stiletto, synonymous with femininity, sex, power, and one Carrie Bradshaw.
Pleasure and pain go hand in hand when thinking about the 'lotus' shoes worn by Chinese women right up until the early 20th century. These tiny, intricately embroidered shoes showed the extremes women underwent through the tradition of footbinding to gain a shoe size and gait that was deemed attractive. It's incredible to think that this was still in practise just a little over a hundred years ago.
Another aspect of the exhibition explored our need to collect and display shoes. Showing various shoe collections, from a society woman of the 1920s who kept her shoes in a specially made vanity case, to a more contemporary Reebok trainer collection, there is definitely something special about shoes that makes us want to cherish and preserve them, and showcase them as pieces of our personal identity.
A final showreel of cinematic shoe moments is displayed at the end of this expansive exhibition and if you ever needed a reason to re-watch the likes of Belle du Jour, The Red Shoes or Sex in the City, you'll want to now, if only to observe the beautiful shoes.