Monday, 31 August 2015

Beautiful Brighton




I think Brighton will always have a little piece of my heart. Although I now live over 100 miles away, I try and stop by as often as I can. There's just something about the city that makes me feel more myself. It's filled with memories of teenage angst, nights out, shopping with friends, vintage fairs, people watching. Earlier this year I was lucky enough to spent a month volunteering in the Brighton Museum, which is a beautiful building sitting just across the road from the Brighton Pavilion. I spent many happy hours cataloging and sifting through acquisitions books, marveling at their extensive collections of costume and decorative arts. The have a great permanent exhibition of ceramics and tea sets as well as chairs and furniture through the ages. It's all well worth a look.

It was wonderful to go back this Bank holiday weekend and potter around the same streets. We wandered through the North Lanes, stopping for a massive slice of carrot cake, rooting through the second hand bookshops and visiting my absolute favourite vintage shop 'Hope & Harlequin'. Perhaps one day I will have saved up enough pennies to treat myself to one of their fabulous dresses.

I also spotted some new (to me at least) graffiti art on one of the walls near the museum (see photo above). I love that it shows sketches of what looks like two sisters sitting together, as it's been lovely hanging out with my own sister the last couple of days. I hope you're having a relaxing Bank holiday and I will be back very soon with more posts on all good things like fashion, books and museums.


"I've never changed. It's like those sticks of rock: bite all the way down, you'll still read Brighton."
Graham Greene - Brighton Rock





Thursday, 20 August 2015

Poetry in motion: Sonia Delaunay


Summer exhibitions at the Tate are always a treat, but I wasn't quite prepared for just how inspiring the Sonia Delaunay exhibition would be. To be quite honest, I hadn't previously heard much about her as an artist, but I decided to go in with an open mind, and I'm so glad I did.

On entering the first room, we were welcomed by Delaunay's incredible paintings. Each painting is divided into segments of vivid colours which fit together to create a whole. We learnt that Delaunay was heavily inspired by music and dance and was part of what was known as simultanism: a group of artists inspired by different art forms coming together. One of my favourite paintings was the image below of a young girl lying across a couch. I love Delaunay's focus on women as pensive and introspective, completely absorbed in their own worlds. Look closely and the young girl is made up of a range of hues, from sickly greens and yellows to bright reds, colour combinations that seem so unusual, but create such an otherworldly atmosphere.


What I found so wonderful about Sonia Delaunay as an artist was the sheer extent of her creative output. I found it incredibly inspiring that an artist explored so many different mediums so effectively to create her own complete world that was so distinctively hers. For a female artist at that time to have such creative freedom over every aspect of her work is inspiring and motivating, even today.

Aside from her work in abstract art and portraiture, Delaunay was also a successful fashion and textiles designer, creating dresses, shoes and beachwear, as well as working on textile commissions for department stores such as Liberty (see images below). Although part of a set of Parisian bohemians, she was not averse to more commercial enterprises, and fashioned designs for the forward-thinking modern women to wear. Delaunay is also known for her work on the costumes for the 1918 Ballet Russes production of Cleopatra, which were also on display. It was wonderful to see these pieces of ballet history, still intact nearly 100 years later.



Sonia Delaunay was also fascinated by the relationship between clothing and literature. Her idea for a 'poem dress' is something I found absolutely incredible. Delaunay collaborated with some of her poet friends to create dresses embellished with poetry, created movable figments of art. She also worked on a short story which she designed to be printed onto a long scarf so that with each fold, a new chapter could be read in small fragments. I completely fell in love with this idea of clothing and fiction complimenting each other and forming part of the same piece of art. I wish more designers would employ some poetry into their work.

My experience of Sonia Delaunay at the Tate was such an overwhelming but inspiring one. Delaunay was such a powerhouse of creativity and I defy anyone to not become motivated and filled with new ideas when visiting her work. I'd love to know what you thought of the exhibition if you managed to make it? Have a lovely weekend! Xx

Thursday, 13 August 2015

Fashion on Film: Iris


Bug-eyed spectacles, bright red lips, and a shock of white hair. These are the components that make up the distinctive Iris Apfel. A fashion stylist, interior designer, costume collector and all-round tastemaker, Iris is the subject of a new documentary by Albert Maysles, creator of the fabulous 'Grey Gardens'.

As the film opens we see Iris, 93, in her natural habitat: the thift store. Her eyes light up as she picks beaded bangles and rhinestone encrusted bracelets, threading them onto her arms as high as her elbows. She talks of her favourite hobby, shopping, as an addiction, admitting she is always after the next fix. And it's the bartering, the thrill of the chase, the joking and the people that make the experience what it is.

The phrase 'like a kid in a candy store' couldn't be more apt here. Iris is drawn to cherry-coloured beads and bright amber necklaces, layering them up to create a look that is is completely unique. "I don't have any rules because I would only be breaking them so it's a waste of time" she tells the camera, and it's true. Iris lives out her style advice in full technicolour. 

It's not about the lavish designer pieces (although she owns more than a few of these), it's the process of seeking out treasures, be it from market stalls, thrift shops, or department stores, and building each piece up to create the full outfit. Colours, textures and shapes come together to allow for maximum visual impact. For Iris, getting dressed is the main event. You can feel her excitement as she examines the printed lining of a jacket or admires a work of embroidery. Her look is carefully layered to present a story to the to the world.

But it's her personality and pure zest for life that is most enchanting. For Iris, the world is a playground. She seizes opportunities as they present themselves. From interior design work, to collecting costume jewellery, to putting on her own exhibition at the Met, and of course this documentary: nothing is too planned in advance. There are no five year plans, checklists or the endless quest for money or approval. In fact she continues to be endlessly surprised at all the attention she receives. It seems that Iris is most happy bouncing around the house with her husband, who at the grand age of 100 still allows Iris to dress him in a studded snap back. They seem most content cracking jokes, messing around and telling fantastic stories.

As she says herself: "It's better to be happy than well dressed." And I couldn't agree more.

Saturday, 20 June 2015

Shoes: Pleasure and Pain


I've always had a bit of a love-hate relationship shoes. Whilst on the one hand (or should I say foot?!) they can be undoubtedly pretty, stylish and glamorous, and give a much-needed boost to my 5 foot 2 inches, but they can also hurt like hell. Which is why the V&A's new shoe exhibition 'Shoes: Pleasure and Pain' is so perfectly named. 

On display are hundreds of shoes through the ages, each encapsulating a specific aspect of footwear. There is an area dedicated to shoes inspired by the fairy tale, including the iconic red ballet slippers worn by Moira Shearer in The Red Shoes as well as Lily James's glass heel from the recent Cinderella. Another display showed shoes worn by royalty, from Queen Victoria's pumps to Kate Middleton's nude LK Bennett's. 

The exhibition also delved into the more psychological aspect of our relationship with shoes. In a room hidden behind a velvet curtain were a collection of shoes chosen for their connection to desire and fetishism. For hundreds, if not thousands of years, shoes have been worn to reveal and conceal, and like any piece of clothing they say something about the wearer. In the 18th century, a fashion for shoes laced low on the foot was thought scandalous, as it revealed the wearer's coloured stockings beneath. And, of course, who can forget the stiletto, synonymous with femininity, sex, power, and one Carrie Bradshaw.

Pleasure and pain go hand in hand when thinking about the 'lotus' shoes worn by Chinese women right up until the early 20th century. These tiny, intricately embroidered shoes showed the extremes women underwent through the tradition of footbinding to gain a shoe size and gait that was deemed attractive. It's incredible to think that this was still in practise just a little over a hundred years ago.

Another aspect of the exhibition explored our need to collect and display shoes. Showing various shoe collections, from a society woman of the 1920s who kept her shoes in a specially made vanity case, to a more contemporary Reebok trainer collection, there is definitely something special about shoes that makes us want to cherish and preserve them, and showcase them as pieces of our personal identity.

A final showreel of cinematic shoe moments is displayed at the end of this expansive exhibition and if you ever needed a reason to re-watch the likes of Belle du Jour, The Red Shoes or Sex in the City, you'll want to now, if only to observe the beautiful shoes.


Thursday, 4 June 2015

The Secret History of Wonderland

Alice in Wonderland fever is everywhere at the moment. The much-loved story turns 150 this year, and unless you've been living under a rock you might have noticed a few white rabbits, mad hatters and March hares cropping up around the UK. I've always felt a connection to these stories, and now that I'm living in Oxford, I'm not too far from where Lewis Carroll first met Alice Liddell, and where it all began.

A few weeks ago I was lucky enough to win a couple of tickets to the Charleston Festival, and of course I chose the talk on Alice. 'The Secret History of Wonderland' took the form of a conversation between two writers. The first, Robert Douglas-Fairhurst, recently published a book entitled 'The Story of Alice' which chronicles the life of Charles Dodgson (Lewis Carroll) and his relationship with Alice Liddell. The second author was Vanessa Tait, who is the great-granddaughter of Alice herself, and whose novel 'The Looking Glass House' retells the story of the Liddell family through the perspective of their governess.
It was fascinating to hear from Vanessa Tait about the experience of having such a famous relative, and one who was a literary heroine. Vanessa spoke about growing up in a house filled with Alice's memorabilia, from gloves and jewellery to treasured first editions of the Alice books. There is a real sense of mythology surrounding the story of Alice, from the photographs of her as a street urchin staring unflinchingly at the camera, to the nature of her relationship with Charles Dodgson, so much is unknown and unexplained, and both authors spoke of this uncertainty openly. Whilst we'll never know many of these unanswered questions, there must be something special about Alice in Wonderland. The book has become such a widely used cultural reference, from Japanese Harajuku costumes to Beatles lyrics. I can't wait to go back and reread the stories and be inspired once again.

These photos are of the house and gardens of Charleston, which is just so beautiful in the summer months. See last year's review of the festival here.

Have a great weekend! Xx

Saturday, 30 May 2015

Riviera Style

Over the Bank holiday weekend I took the opportunity to visit the new exhibition at the Fashion and Textile Museum in Bermondsey. The FTM is one of my favourite museums, in part due to its very chilled and friendly atmosphere: you really feel that you can get up close and personal with the clothes and I always leave with my head full to the brim with inspiration.

The museum's latest offering is 'Riviera Style: Resort and Swimwear since 1900'. On display is a wide variety of beachwear throughout history, spanning Edwardian-era knitted bathing costumes, to fifties patterned playsuits and the more revealing cut away bikinis of the 60s and 70s.
The swimsuits from the turn of the century were perhaps the most fascinating to see in real life (see below). I was amazed how these little pieces of fashion history have survived all these years. The demure pantaloon-style suits were made of thick cottons or heavy wools that soaked up the water like nobody's business, making for a challenging paddle in the sea. Never have I felt more grateful for the invention of lycra!

It was only until the early 60s that truly practical swimwear really took off, until then there was a lot of making do with hand-knitted costumes and shearing elastic which sagged and filled up with water when you attempted to leave the pool! But the lack of synthetic fabrics and swimwear technology was not at the expense of style. The 1920s and 30s, one of my favourite eras on display, was when 'riveria' style was born, and beachwear became chic and glamorous. As you can see in the photo above, Japanese-style kimono jackets and slouchy pyjama bottom in gorgeous prints were all the rage, as were chic rubber swimming caps much like those worn by Keira Knightley in the film Atonement. 
Many of the items on display were of course nautical-inspired. Blue and white stripes, anchor motifs and brass buttons were in abundance throughout almost every decade. Sailor suits were popular as childrenswear at the turn of the century, thanks to Queen Victoria's penchant for dressing her children in them (even as a 90s child was put in an M&S sailor suit aged 2!). There is also a whole room dedicated to Amber Jane Butchart's new book 'Nautical Chic' (I reviewed it earlier on my blog here) which goes into more detail about our fascination with sailor style, and it was lovely to see some of the clothing featured in the book out on display.

There's definitely something about the seaside that makes us want to dress up and show off. The image below shows outfits a family of four might don when taking in the sea air in the early 1900s. These heavily starched suits and dresses were probably not the most comfortable of outfits on a hot summer's day, but were perfect for to show off for Sunday best. Fast forward through the decades and beachwear still needs to impress. From the sumptuous, oriental-inspired kimonos of the 20s to the barely there monokinos of the 70s and the teeny-weeny Daniel Craig Speedos of more recent times, beachwear seems to have always been an excuse to flaunt our fashion credentials.
Although I'm not all too great at dressing for summer (I blame this on typically rubbish British weather), I now feel a lot more prepared after this exhibition and have an army of ideas for summer outfits. If you're in need of some summer style inspiration, or just fancy gazing at some beautiful pieces of vintage clothing, I'd heartily recommend popping along to the FTM for inspiration. I'm particularly coveting a floral playsuit or some wide leg trousers. Now to book that holiday! Xx